ATENCIÓN: 65 PELÍCULA COMPETIRÁN POR EL OSCAR A LA MEJOR PELÍCULA DE HABLA NO INGLESA

La Academia de Hollywood ha dado a conocer hoy la lista de preseleccionados que competirán por el Oscar a la mejor película de habla no inglesa. En total son 65 cintas. Las únicas novedades son las inclusiones de Cuba y Puerto Rico, más el cambio de Sri Lanka, que definitivamente competirá con "The road from elephant pass" y no con "Flowers of the sky".

Albania: “Alive!,” Artan Minarolli, director;
Argentina: “El Secreto de Sus Ojos,” Juan Jose Campanella, director;
Armenia: “Autumn of the Magician,” Rouben Kevorkov and Vaheh Kevorkov, directors;
Australia: “Samson & Delilah,” Warwick Thornton, director;
Austria: “For a Moment Freedom,” Arash T. Riahi, director;
Bangladesh: “Beyond the Circle,” Golam Rabbany Biplob, director;
Bélgica: “The Misfortunates,” Felix van Groeningen, director;
Bolivia: “Zona Sur,” Juan Carlos Valdivia, director;
Bosnia y Herzegovina: “Nightguards,” Namik Kabil, director;
Brasil: “Time of Fear,” Sergio Rezende, director;
Bulgaria: “The World Is Big and Salvation Lurks around the Corner,” Stephan Komandarev, director;
Canada: “I Killed My Mother,” Xavier Dolan, director;
Chile; “Dawson, Isla 10,” Miguel Littin, director;
China: “Forever Enthralled,” Chen Kaige, director;
Colombia: “The Wind Journeys,” Ciro Guerra, director;
Croacia: “Donkey,” Antonio Nuic, director;
Cuba: “Fallen Gods,” Ernesto Daranas, director;
República Checa: “Protektor,” Marek Najbrt, director;
Dinamarca: “Terribly Happy,” Henrik Ruben Genz, director;
Estonia: “December Heat,” Asko Kase, director;
Finlandia: “Letters to Father Jacob,” Klaus Haro, director;
Francia: “Un Prophete,” Jacques Audiard, director;
Georgia: “The Other Bank,” George Ovashvili, director;
Alemania: “The White Ribbon,” Michael Haneke, director;
Grecia: “Slaves in Their Bonds,” Tony Lykouressis, director;
Hong Kong: “Prince of Tears,” Yonfan, director;
Hungría: “Chameleon,” Krisztina Goda, director;
Islandia: “Reykjavik-Rotterdam,” Oskar Jonasson, director;
India; “Harishchandrachi Factory,” Paresh Mokashi, director;
Indonesia: “Jamila and the President,” Ratna Sarumpaet;
Irán: “About Elly,” Asghar Farhadi, director;
Israel: “Ajami,” Scandar Copti and Yaron Shani, director;
Italia: “Baaria,” Giuseppe Tornatore, director;
Japón: “Nobody to Watch over Me,” Ryoichi Kimizuka, director;
Kazajistán: “Kelin,” Ermek Tursunov, director;
Corea del Sur: “Mother,” Joon-ho Bong, director;
Lituania: “Vortex,” Gytis Luksas, director;
Luxemburgo: “Refractaire,” Nicolas Steil, director;
Macedonia: “Wingless,” Ivo Trajkov, director;
México: “Backyard,” Carlos Carrera, director;
Marruecos: “Casanegra,” Nour-Eddine Lakhmari, director;
Países Bajos: “Winter in Wartime,” Martin Koolhoven, director;
Noruega: “Max Manus,” Espen Sandberg and Joachim Roenning, directors;
Perú: “The Milk of Sorrow,” Claudia Llosa, director;
Filipinas: “Grandpa Is Dead,” Soxie H. Topacio, director;
Polonia: “Reverse,” Borys Lankosz, director;
Portugal; “Doomed Love,” Mario Barroso, director;
Puerto Rico: “Kabo and Platon,” Edmundo H. Rodriguez, director;
Rumanía: “Police, Adjective,” Corneliu Porumboiu, director;
Rusia: “Ward No. 6,” Karen Shakhnazarov, director;
Serbia: “St. George Shoots the Dragon,” Srdjan Dragojevic, director;
Eslovaquia: “Broken Promise,” Jiri Chlumsky, director;
Eslovenia: “Landscape No. 2,” Vinko Moderndorfer, director;
Sudáfrica: “White Wedding,” Jann Turner, director;
España: “The Dancer and the Thief,” Fernando Trueba, director;
Sri Lanka: “The Road from Elephant Pass,” Chandran Rutnam;
Suecia: “Involuntary,” Ruben Ostlund, director;
Suiza: “Home,” Ursula Meier, director;
Taiwan; “No Puedo Vivir sin Ti,” Leon Dai, director;
Thailandia: “Best of Times,” Yongyoot Thongkongtoon, director;
Turquía: “I Saw the Sun,” Mahsun Kirmizigul, director;
Reino Unido: “Afghan Star,” Havana Marking, director;
Uruguay: “Bad Day for Fishing,” Alvaro Brechner, director;
Venezuela: “Libertador Morales, El Justiciero,” Efterpi Charalambidis, director;
Vietnam: “Don’t Burn It,” Dang Nhat Minh.